There is nothing that can't be modeled and textured in 3D. I may model your product, your house, your environment, your character, your animal or any fiction you want to see in digital reality. Preferably in Autodesk Maya but not essentially.
Integration of Assets into Realtime-Engines is an important skillpoint for the modern digital artist. There is a lot more to it than just drag'and'droping the asset into the game. It needs deep knowledge in workflow-definition, testing, performance profiling and asset-organization if you want to have a clean and functional application at the end.
I develop simple apps or prototypes for Mobile, PC or HTC Vive. If you want to take a first look into the capabilities of interactive design for your brand or product, this is your way in.
If there is something visually to explain then you need a sketch. If there is some story tell then you need a storyboard.
Virtual Reality is the biggest variable in the media-industry. Only a Hype? Just a trending topic? I show you that VR has more to it than meets the eye. You want to amaze people, make people aware of your sensible topic, bring them something closer? There is no better medium than VR for that.
Each and every project has its peculiar goals and needs. Artists and Directors want to work as freely as possible in this world of technical hurdles. I can help build up your pipeline, your project structure and help solve problems and issues for your movie, game or other project you want to realize.
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| The details on the props needed to work on very close Shots as well. |
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| The sets are decorated with lots of props which are animated throughout the movie. |
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| The art object is a 1-to-1 replication and has been digitized through a complex process. |
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| Different tools support the representation and contemplation of the art object. |
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| In different room environments, the art objects can be evaluated in new lighting conditions. |
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| The digital representation of the Madonna opens up new perspectives. |
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| A 60-centimeter-high art object can be viewed more easily when it is 60 meters high. |
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| >>Klicke auf die Bilder zum Vergrößern<< |
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| First sketches of Lodge |
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 dekoration-asset: hay trough |
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| dekoration-asset: Table-Bank |
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| First UI-Design in a more realistic approach |
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| Character modeling in Maya & texturing / material creation in PSD & Nintendoware |
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| Racetrack in an twirling ghost hotel |
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| Racetrack arabian market |
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| level design & 3D-modeling & texturing of Environment |
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| Racetrack in arabian palace |
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| level design & 3D-modeling & texturing of Environment |
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Frühes Concept Art, um zu zeigen, dass wir den Stil der Cover und Comic-Bücher einhalten können.
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| The painted textures helped to maintain the style and the 3D meshes gave the scene a visual depth needed for the 3D feature of the Nintendo 3DS. |
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| I created the textures and geometry as well as the integration into Unity & several object-animation |
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| We used the parallax effect with strong depths in the image and wide environments. This made the 3D feature of Nintendo 3DS stand out better. |
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| 2.5D-modeling, texturing & content integration in Unity 3D |
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| Here I integrated & animated the background, which was painted by Sebastian Watzlawek. |
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| 2.5D-modeling, texturing & content integration in Unity 3D |
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| Here I integrated & animated the background, which was painted by Sebastian Watzlawek. |
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| 2.5D-modeling, texturing & content integration in Unity 3D |
My name is Ansgar Messmer, I'm a professional Game Artist who finds interest in almost every aspect of Creative Work.
My goal is to create projects in a motivated team which make myself proud and to expand my skills as an artist.
I live and work from Dusseldorf, Germany. But it always drives me out into the world, I eat and cook a lot and pay attention to a balanced
Work-Life Balance Nerd.
In these 5 years my team and I sucessfully finished over a dozen finished projects. There is a lot more to say but I don't know what. So I will just fill this shit up. Happy new fuckin year.
My first experience as an artist in the gaming industry. In my intern at the well-known german Game-Developer Deck13. I worked there as an Environment Modeler and for some weeks I worked on Matte Paintings.
I graduated as a Bachelor of Arts with a grade of 1.7. The study was very practical structured with semester projects and included all areas of media production. I focused my work on computer animation and interactive content.
For an AR-Projection I programmed procedures, created effects, animations and materials. The realtime 3d-character was projected live onto the Live-Take of the health-tv-show 'Rundum Gesund'.I especially worked with Unity's Timeline, Shader Graph & VFX-Graph.
#AR #Unity #VFX #Animation #Asset-Integration
For this 3d-animated full feature film, I worked as a cg-supervisor and 3D artist. I was responsible for the entire CG-Pipeline (except Post-Production).
#Modeling #UV #Workflow #Produktion #V-Ray #Maya
I developed a VR-application on-site for the HTC Vive. I was assigned for its visual presentation, as well as the software-development and its concept.
#VR #Software-Development #Materials #Unity
I modeled and textured detailed, realistic 3D vehicles for real-time simulators.
#Modeling #Texturing #UV-Mapping #Realtime #Sim
Caecilienstreet 9, 40597 Dusseldorf, Germany
+(49) 176 996 430 78
